Visualization of childhood in the urban space. Gottfried Helnwein
How to Cite
Rozhdestvenskaya E.Y. Visualization of childhood in the urban space. Gottfried Helnwein. Interaction. Interview. Interpretation. 2009. Vol. 4. No. 5. P. 108-118. (in Russ.).
Abstract
European artist of Austrian origin, Gottfried Helnwein worthy of the gaze of the sociologists because of its unusual credo in art: his works sulky public opinion, shocked ordinary people, annoying skinheads, provoking vandalism. He works with the difficult publicity of the themes of brutality against children, violence in history, fascism, the Holocaust, the commercialization and sexualization of childhood, the problem of abortion, etc. Every project causes a heated debate in society, clearly exposing a large-scale plan of the author, designed for public reaction to his works.
Keywords:
visualization of childhood, Gottfried Helnwein, Helnwein
References
Гройс Б. Феноменологии медиального мира http://azbuka.
gif.ru/important/groys-art-moscow–2004.
Интервью YASO MAGAZINE с Хелнвайном http://www.helnwein.com/.
Bann, S. (1998) ‘Art history and museums’, in M.A. Cheetham, M.C. Holly and K. Moxey (eds), The Subjects of Art History: Historical Objects in Contemporary Perspective. Cambridge University Press, pp. 49–230.
Bennett, T. (1995) The Birth of the Museum: History, Theory, Politics. London: Routledge.
Bourdieu, P., Darbel, A. with Schnapper, D. (1991) The Love of Art: European Art Museums and their Public. Cambridge: Polity Press.
Bird, J. et all.(eds) (1996) The BLOCK Reader in Visual Culture. London: Routledge.
Mirzoeff, N. (1998) ‘What is visual culture?’ In: N.Mirzoeff (ed.), The Visual Culture Reader. London: Routhledge, pp. 3–13.
Lidchi, H. (1997) ‘The poetics and the politics of exhibiting other cultures’, in S.Hall (eds), Representation: Cultural Representations and Signifying Practices. London:Sage, pp.151–222.
Lyotard, J.-F. (1996) ‘Les immaterieux’, in R. Greenberg, B.W. Ferguson and S. Nairne (eds), Thinking About Exhibitions. London: Routledge, pp.31–113.
Rose, Gillian (2002) Visual Methodologies. An Introduction to the Interpretation of Visual Materials. SAGE Publications. London Thousand Oaks, New Delhi.
Sekula, A. (1986) ‘Reading an archive: photography berween labour and capital’, in P.Holland, J.Spence and S.Watney (eds), Photography/Politics: 2.London:Comedia, pp.61–153.
Tagg, J. (1988) The Burden of Representation: Essays on Photographies and Histories. London: Macmillan.
gif.ru/important/groys-art-moscow–2004.
Интервью YASO MAGAZINE с Хелнвайном http://www.helnwein.com/.
Bann, S. (1998) ‘Art history and museums’, in M.A. Cheetham, M.C. Holly and K. Moxey (eds), The Subjects of Art History: Historical Objects in Contemporary Perspective. Cambridge University Press, pp. 49–230.
Bennett, T. (1995) The Birth of the Museum: History, Theory, Politics. London: Routledge.
Bourdieu, P., Darbel, A. with Schnapper, D. (1991) The Love of Art: European Art Museums and their Public. Cambridge: Polity Press.
Bird, J. et all.(eds) (1996) The BLOCK Reader in Visual Culture. London: Routledge.
Mirzoeff, N. (1998) ‘What is visual culture?’ In: N.Mirzoeff (ed.), The Visual Culture Reader. London: Routhledge, pp. 3–13.
Lidchi, H. (1997) ‘The poetics and the politics of exhibiting other cultures’, in S.Hall (eds), Representation: Cultural Representations and Signifying Practices. London:Sage, pp.151–222.
Lyotard, J.-F. (1996) ‘Les immaterieux’, in R. Greenberg, B.W. Ferguson and S. Nairne (eds), Thinking About Exhibitions. London: Routledge, pp.31–113.
Rose, Gillian (2002) Visual Methodologies. An Introduction to the Interpretation of Visual Materials. SAGE Publications. London Thousand Oaks, New Delhi.
Sekula, A. (1986) ‘Reading an archive: photography berween labour and capital’, in P.Holland, J.Spence and S.Watney (eds), Photography/Politics: 2.London:Comedia, pp.61–153.
Tagg, J. (1988) The Burden of Representation: Essays on Photographies and Histories. London: Macmillan.
Citation Formats
Other cite formats:
APA
Rozhdestvenskaya, E. Y. (2009). Visualization of childhood in the urban space. Gottfried Helnwein. Interaction. Interview. Interpretation, 4(5), 108-118. Retrieved from https://inter-fnisc.ru/index.php/inter/article/view/4410
Section
Visual Sociology
